Tom Teodorczuk of the Guardian interviews BB guest blogger alum Clay Shirky about the future of media. For traditional media, he says, "2009 is going to be a bloodbath."

The things that the Huffington Post or the Daily Beast have are good storytelling and low costs. Newspapers are going to get more elitist and less elitist. The elitist argument is: "Be the Economist or New Yorker, a small, niche publication that says: 'We're only opening our mouths when what we say is demonstrably superior to anything else on the subject.'" The populist model is: "We're going to take all the news pieces we get and have an enormous amount of commentary. It's whatever readers want to talk about." Finding the working business model between them in that expanded range is the new challenge.

Why pay for it at all? The steady loss of advertising revenue, accelerated by the recession, has normalised the idea that it's acceptable to move to the web. Even if we have the shallowest recession and advertising comes back as it inevitably does, more of it will go to the web. I think that's it for newspapers.

Clay Shirky on traditional media

Justin Hall twittered this website:

"The Texas Border Sheriff's Coalition has joined BlueServo in a public-private partnership to deploy the Virtual Community Watch, an innovative real-time surveillance program designed to empower the public to proactively participate in fighting border crime. The TBSC BlueServo Virtual Community Watch is a network of cameras and sensors along the Texas-Mexico border that feeds live streaming video to www.BlueServo.net. Users will log in to the BlueServo website and directly monitor suspicious criminal activity along the border via this virtual fence."

Virtual Stake Outs - Live Border Cameras

Animator Nina Paley's brilliant film, "Sita Sings The Blues," has been wowing the festival circuit but you're probably not going to see it anytime soon. That's because the company that controls the synch rights to the 80+ year old music in the film want so much money for licensing that Paley can't afford to distribute her movie, despite all the critical acclaim.

Question Copyright has a 42-minute interview with Paley on the heartbreak of having to strangle her acclaimed art.

After pouring three years of her life into making the film, and having great success with audiences at festival screenings, she now can't distribute it, because of music licensing issues: the film uses songs recorded in the late 1920's by singer Annette Hanshaw, and although the recordings are out of copyright, the compositions themselves are still restricted. That means if you want to make a film using these songs from the 1920s, you have to pay money — a lot of money.

It's a classic example of how today's copyright system suppresses art, effectively forcing artists to make creative choices based on licensing concerns rather than on their artistic vision.

The music in Sita Sings The Blues is integral to the film: entire animation sequences were done around particular songs. As Nina says in the interview, incorporating those particular recordings was part of her inspiration. To tell her — as many people did — to simply use different music would have been like telling her not to do the film at all. And that's part of her point: artists "internalize the permission culture", which in turn affects the kinds of art they make.

How Copyright Restrictions Suppress Art: An Interview With Nina Paley About "Sita Sings The Blues" (Thanks, Karl!)

These Etsy-sold CCTV decals make a handsome addition to your white goods, porcelain fittings, and other smooth surfaces.

SECURITY CAMERAS vinyl toilet fridge wall or window decal (Thanks, Iain!)

Looks like Apple's going to drop the DRM on the music in the iTunes store -- but there's no indication that the DRM that's too evil to be borne for music will be likewise dropped from audiobooks and video. Right now, Apple will only sell audiobooks from Audible -- and Audible will only sell audiobooks with DRM (even if the author and publisher don't want it). I don't get it -- if DRM is so foul that it can't be borne when it comes to music sales, why is it acceptable for other kinds of media in the iTunes store? And if Apple is so committed to getting rid of DRM, why did it renew Audible's exclusive, DRM-only audiobook deal, after Steve Jobs said that he wanted to get the DRM out of the iTunes store? And as the single largest shareholder in Disney, you'd think The Steve could get someone there to consider selling videos without DRM?

"Over the last six years songs have been $0.99 [79p]. Music companies want more flexibility. Starting today, 8 million songs will be DRM free and by the end of this quarter, all 10 million songs will be DRM free," he told the crowd.

Apple has also revised its pricing structure, offering a two-tier system with songs available for $0.69 and $1.29. Prices will vary slightly in the UK.

At present, the firm has a one-price-fits-all strategy - currently 79p per track - with no subscription fee.

The new model will have a varied pricing structure, with what the company calls "better quality iTunes Plus" costing more.

Apple to end music restrictions (Thanks, Debcha!)

Cookie Monster devours a pair of buildings that resemble the the Twin Towers. From the cover of the October 1976 issue of Sesame Street magazine.

The Wall Street Journal reports that U.S. citizens have suddenly become quite thrifty.

Usually, frugality is good for individuals and for the economy. Savings serve as a reservoir of capital that can be used to finance investment, which helps raise a nation's standard of living. But in a recession, increased saving -- or its flip side, decreased spending -- can exacerbate the economy's woes. It's what economists call the "paradox of thrift."

U.S. household debt, which has been growing steadily since the Federal Reserve began tracking it in 1952, declined for the first time in the third quarter of 2008. In the same quarter, U.S. consumer spending growth declined for the first time in 17 years.

Hard-Hit Families Finally Start Saving, Aggravating Nation's Economic Woes

Astrophysicist Neil DeGrasse Tyson, author of Death by Black Hole and Other Cosmic Quandaries, tells the entertaining story of what it's like to be sucked into a black hole.

Neil DeGrasse Tyson: Death by Black Hole (via How Good is That?)

Some high school students in Maryland are reportedly taping fake license plates to their cars, then speeding past speed cameras so that owners of the cars with the real license plates get fined.

Students from Richard Montgomery High School dubbed the prank the Speed Camera "Pimping" game, according to a parent of a student enrolled at one of the high schools.

Originating from Wootton High School, the parent said, students duplicate the license plates by printing plate numbers on glossy photo paper, using fonts from certain websites that "mimic" those on Maryland license plates. They tape the duplicate plate over the existing plate on the back of their car and purposefully speed through a speed camera, the parent said. The victim then receives a citation in the mail days later.

Students are even obtaining vehicles from their friends that are similar or identical to the make and model of the car owned by the targeted victim, according to the parent.

Local teens claim pranks on county's Speed Cams (Via The Agitator)

Campaigning law prof Charlie Nesson wants the whole world to see how the RIAA shakes down students, so he's asked for the proceedings to be webcast. The RIAA wants to hide under a rock:

A Harvard Law professor representing some students sued by the recording industry for illegally downloading music has filed a motion to broadcast online the proceedings of two cases being heard by the U.S. District Court in Massachusetts.

The professor, Charles R. Nesson, argues in the motion that to stream the court proceedings over the Internet — or as the students put it in their request, 'admit the Internet into the courtroom' — would help the public understand the legal issues at play in the industry’s lawsuits against thousands of computer users, many of whom are college students.

The plaintiff, the Recording Industry Association of America, which announced last month that it would stop bringing new cases against students in favor of working with Internet Service Providers to take action against repeat offenders, has described its lawsuits as an educational effort focused on illuminating the consequences of illegally sharing music — something Mr. Nesson takes a jab at in the motion.

'Surely education is the purpose of the Digital Deterrence Act of 1999, the constitutionality of which we are challenging,' the motion reads. 'How can RIAA object? Yet they do, fear of sunlight shone upon them.'

Defendants in Music-Industry Lawsuit Ask for Trial to Be Broadcast Online (Thanks, Michael!)

NRK, the Norwegian public broadcaster, has had to pull its legal MP3 archive of all 212 Beatles songs. Turns out the agreement they had with the local rights society didn't mean what they thought it meant.

Our new agreement with rights holder TONO gives us rights to publish radio and TV shows we aired a long time ago. But the agreement NRK has with rights holders IFPI and FONO only allows us to publish shows that has been aired the last four weeks. And since “Our daily Beatles” was aired in 2007, we have to pull it from the podcast (see below for details about the agreements).

NRK pulls “Our daily Beatles” podcast because of rights (Thanks, Oyvind!)

Ethan Ham sez,

Turbulence.org recently released “Tumbarumba,” a project by Benjamin Rosenbaum and myself (Ethan Ham). Tumbarumba is an anthology in the form of a browser add-on. To read the stories, readers must stumble upon them while browsing the web. The browser add-on will occasionally insert a story fragment into a web page as it loads it. The result is a disorienting surreal sentence that sometimes is nonsensical and sometimes amusingly close making sense. If the reader spots the fragment, they can interact with it in a way that will cause the full story to appear—albeit in the format of the web page on which it was found.

The authors in the anthology are:

Haddayr Copley-Woods, Greg van Eekhout, Stephen Gaskell, James Patrick Kelly, Mary Anne Mohanraj, David Moles, John Phillip Olsen, Tim Pratt, Kiini Ibura Salaam, David J. Schwartz, Heather Shaw, Jeff Spock

Tumbarumba (Thanks, Ethan!)

The coolest thing about your kid's first Christmas is that you get to watch her unwrap all the amazing kiddy treasures that your friends and family found. It was a fantastic haul this year, no doubt about it, and my favorite was Mommy?, a 2006 pop-up book by Maurice "Where the Wild Things Are" Sendak that I'm thinking of keeping for myself.

Mummy? is a practically wordless, six-page popup that follows the travails of a little boy who's looking for his mother in a castle full of monsters. The left panel shows junior saying "Mommy?" and the right panel shows a leering monster; flip it up and see how the boy has defeated it. Mommy?'s dimensionality is fabulous -- the monsters explode in all directions, portrayed in fabulous grisly style that's a cross between Big Daddy Roth and Marc Davis's Haunted Mansion ghouls.

The flip-up right panels showing the monsters' comeuppance are witty, marvellously engineered, and deeply satisfying. The ending -- the Bride of Frankenstein bursting through the door, saying, "Baby!" -- is a great touch. This is the kind of papercraft you can feel good about giving to a kid (even if you don't want to part with it).

Mommy?

A UK campaign to raise money to buy London bus-ads to promote atheism was a massive success -- 800 of the busses took the streets today, and the campaign is spreading around the world.

Today, thanks to many Cif readers, the overall total raised for the Atheist Bus Campaign stands at a truly overwhelming £135,000, breaking our original target of £5,500 by over 2400%. Given this unexpected amount, I'm very excited to tell you that 800 buses – instead of the 30 we were initially aiming for – are now rolling out across the UK with the slogan, "There's probably no God. Now stop worrying and enjoy your life", in locations all over England, Scotland and Wales, including Manchester, Edinburgh, Glasgow, York, Cardiff, Devon, Leeds, Bristol and Aberdeen.

From today's launch, two hundred of the buses will run in London, because the campaign was originally started as a positive counter-response to the Jesus Said ads running on London buses in June 2008. These ads displayed the URL of a website which stated that non-Christians "will be condemned to everlasting separation from God and then you spend all eternity in torment in hell … Jesus spoke about this as a lake of fire prepared for the devil". Our rational slogan will hopefully reassure anyone who has been scared by this kind of evangelism.

The atheist bus journey (Thanks, Paul!)

Julian Gough sends us his NYT piece, "A Modest Proposal For The Publishing Industry": "It's a piece in yesterday's New York Times. It's a parody of all the recent, massive, Treasury bailout plans. (Having done banks, insurance and cars, the Treasury are now solve the unread books crisis for us). It is written as an official statement from Treasury Secretary Henry Paulson, using language taken directly from all his real statements (with just a few key words changed)."

"As we all know, lax writing practices earlier this decade led to irresponsible writing and irresponsible reading. This simply put too many families into books they could not finish. We are seeing the impact on readers and neighborhoods, with 5 million readers now behind on their reading. Some are just walking away from novels they should never have been reading in the first place. What began as a sub-prime reading problem has spread to other, less-risky readers, and contributed to excess inventories.

These troubled novels are now parked, or frozen, on the shelves of libraries, bookstores, and other reading institutions, preventing them from financing readable novels. The inability to determine the worth of these novels has fostered uncertainty about novels in general, and even about the cultural condition of the institutions that own them. The normal buying and selling of nearly all types of literature has become challenged.

The role of the ratings agencies cannot be overlooked in the creation of this crisis. The Pulitzer, Booker and the National Book Foundation continued to award these novels their top ratings, even as unread copies piled up all over America.

A Modest Proposal For The Publishing Industry on nytimes.com (stupid registration required), A Modest Proposal For The Publishing Industry on Julian's site (no registration required!) (Thanks, Julian!)

Josette from O'Reilly sez, "Call for makers! It is now official the long awaited first UK Maker Faire will take place in Newcastle, UK on March 14th-15th! Maker Faire seeks to inspire, inform, connect and entertain thousands of Makers and aspiring Makers of all ages and backgrounds through the public gathering of tech enthusiasts, crafters, educators, tinkerers, hobbyists, students, authors and commercial exhibitors."

Maker Faire seeks to inspire, inform, connect and entertain thousands of Makers and aspiring Makers of all ages and backgrounds through the public gathering of tech enthusiasts, crafters, educators, tinkerers, hobbyists, students, authors and commercial exhibitors.

The first UK Maker Faire will take place in Newcastle 14-15 March 2009 as part of Newcastle ScienceFest - a 10 day festival celebrating creativity and innovation.

In the last decade Newcastle has joined forces with neighbouring Gateshead and has transformed itself into one of Europe's most exciting places. Architectural icons such as the gigantic Angel of the North (whose 54m wingspan is longer than a jumbo jet!) best symbolises the region's unquenchable thirst for creativity and sense of fun.

Maker Faire, Newcastle, UK 14-15 March 2009 (Thanks, Josette!)

Molly sez, "Robbins Barstow's film Disneyland Dream was included in this year's National Film Registry (25 films selected by the Library of Congress annually). He is a tireless advocate for amateur film and a great supporter of Home Movie Day. Steve Martin wrote to Robbins Barstow after the news of Disneyland Dream being selected for the Film Registry. Martin appears in the home movie, he's 11 years old and worked selling guidebooks. Go home movies!"

We've blogged Robbins's amazing home movies here before. The man's a hero of the medium. Well-deserved congratulations indeed.

From the Library of Congress’s press release:

Disneyland Dream (1956)
The Barstow family films a memorable home movie of their trip to Disneyland. Robbins and Meg Barstow, along with their children Mary, David and Daniel were among 25 families who won a free trip to the newly opened Disneyland in Anaheim, Calif., as part of a ‘Scotch Brand Cellophane Tape’ contest sponsored by 3M. Through vivid color and droll narration (”The landscape was very different from back home in Connecticut”), we see a fantastic historical snapshot of Hollywood, Beverly Hills, Catalina Island, Knott’s Berry Farm, Universal Studios and Disneyland in mid-1956. Home movies have assumed a rapidly increasing importance in American cultural studies as they provide a priceless and authentic record of time and place.

The film, along with 15 other Barstow Travel Adventure titles, is available for viewing and downloading at the Internet Archive.

Robbins Barstow’s “Disneyland Dream” Named to National Film Registry, Steve Martin and Disneyland Dream (Thanks, Molly!)

The 2008 Hugo award nominations have opened -- if you were a member of the 2008 WorldCon in Denver, or have bought a membership to the 2009 WorldCon in Montreal, you're eligible to nominate. I'll be sending in my nominations this week, and just in case you were wondering, here's the stuff I wrote that's eligible for this year's ballot:

* Best novel: Little Brother, Tor, 2008
* Best related book: Content, Tachyon, 2008
* Best novella: True Names (with Benjamin Rosenbaum), published in Fast Forward, Pyr Books, 2008, edited by Lou Anders * Best novelette: The Things That Make Me Weak and Strange Get Engineered Away, Tor.com, July 2008

No matter what you plan on nominate, I urge you to send in your form! Hugo participation seems to dwindle every year. The present form's just a PDF, but they're promising a web-based one shortly (I'll post again when it's live).

Hugos

Loligo Lothario sez, "With all of the recent postings on cephalopod oriented erotica (or tentacle porn, as it is coarsely called), I had wondered if you had not stumbled on this musing on why those fixated on tentacles really lack imagination, and how other invertebrate oriented erotica can be really really hot. Invertebrates are amazingly kinky, as pointed out in some lovely marine science blog The Oyster's Garter as it looks at the sex lives of tunicates, slugs, and more. So really, why can't we get beyond the tentacle, I ask?"

Taking a step to the side, let us briefly consider phylum Mollusca class Bivalvia. Yes, bivalves at first seem boring - little sessile clam-like things that they are. However, bivalves engage in the one behavior that heretofore I think sounds like the most delightful sexual activity ever. Free spawning. I mean, seriously, think of it, you catch a sudden whif of the right scent, the right temperature, or a little shake, and then EXPLODE in pleasurable gamete release. I, myself, have had this happen right in my face in an orgy of mussel bukkake, but picture the potential for some nubile nymphet subjected to the experiments of a dastardly doctor in fusing the sexual needs of a scallop with the body of his scientific muse.

This is of course not to mention the abilities for bivalves to form threadlike attachments with their byssal gland, and the ever shape-changing, muscular, pulsing, turgid, bivalve foot. Or, the bizarre, soft, delicate anatomy of free swimming shell-less bivalves who, if airborne, could wreak erotic havoc on an entire countryside if presented by the proper author or animator.

A Brief Essay on the Sad Lack of Imagination in Invertebrate Oriented Erotica with Brief Notes on the Lascivious Nature of Both the Lophotrochozoa and Ecdysozoa, or, Getting Beyond "Hur hur! That Squid Tentacle Looks like Penis!"

Liu Jianhua recreated the Shanghai skyline from dice and poker-chips -- the gigantic piece was displayed at Galleria Continua in San Gimignano, Italy. The close-up detail view (shot by Flickr user cinghialino and licensed Creative Commons Attribution ShareAlike) is spectacular.

Liu Jianhua - Unreal Scene (2008), Liu Jianhua - Unreal Scene (2008) (detail view) (via Neatorama)

Thomas sez, "China's People's Liberation Army has made Sex education part of the detox methods for getting people over Internet addiction. They claim it works, but one woman under their care has acquired 68 virtual husbands."

Here, in addition to military-style discipline, some 60-odd patients at his center undergo a three-month regimen of counseling, confidence-building activities, sex education, and in about 60 percent of the cases, medication. The treatment is designed to address underlying family and psychological problems, and boost their self-confidence.

There are a handful of young women here, going "cold turkey" from "Audition" and similar games, where players engage in dance battles, decorate virtual homes, and have virtual husbands and babies. (One female patient had amassed 68 "husbands," says Tao, with a sigh).

In an increasingly wired China, rehab for Internet addicts

My pals Rita King and Josh Fouts have just completed an ambitious public diplomacy report on using virtual worlds to create understanding between Islamic and western societies. The book itself is presented in Understanding-Comics-style graphic novel format. They're holding a public launch in New York this month and I expect the report will hit the web around the same time.

After a year of research spanning four continents and interviews with dozens of people across the virtual world of the Internet Dancing Ink Productions is pleased to announce the release of our findings from the Understanding Islam through Virtual Worlds project on Thursday, January 29 at 6 PM Eastern at the Carnegie Council for Ethics in International Affairs. Space is limited so please RSVP to attend the event.

The report will include a trilogy of deliverables, including formal public diplomacy policy recommendations for the Obama Administration; a broadcast-quality short machinima documentary; and a graphic book chronicling the people, places and findings of the project.

Understanding Islam through Virtual Worlds report to release January 29

JetBlue and the TSA have settled a lawsuit brought by a man who was refused boarding on an airplane because he was wearing a shirt with Arabic writing on it (the TSA said that this was like "wearing a T-shirt at a bank stating, 'I am a robber.'"). They've paid him $240,000.

Only 14 days until we get a change in administration. Maybe the new guys will appoint someone who understands that Arabic writing doesn't make airplanes fall out of the sky. Kudos to the ACLU for kicking ass and taking names on this one.

The lawsuit claimed Jarrar, 30, invoked the First Amendment but acquiesced after it became clear to him that he would not be allowed to fly if he did not cover his shirt with one given to him by JetBlue officials.

"All people in this country have the right to be free of discrimination and to express their own opinions," Jarrar wrote on his blog. "With this outcome, I am hopeful that TSA and airlines officials will think twice before practicing illegal discrimination and that other travelers will be spared the treatment I endured."

TSA, JetBlue Pay $240,000 to Settle Discrimination Suit

Here is an absolutely stupendous video of Screamin' Jay Hawkins in full witch doctor regalia performing "I Put A Spell On You". (Thanks, Kirsten Anderson!)

I've always really liked jellyfish. I can spend hours zoning out at the jelly exhibit at the Monterey Bay Aquarium. And I'm almost as enthralled with these jelly sculptures made out of plastic bottles by Gulnur Ozdaglar, which I discovered on Design Sponge. Ozdaglar makes all kinds of wonderful things out of PET bottles.

--Bruce (Thanks, Shawn, for getting me to add Design Sponge to my RSS reader in an attempt to make me just a bit stylish!)

tertium non data

(Shawn Connally and Bruce Stewart are guest bloggers)

Today on Offworld we saw Rock Band's vocal pitch recognition get trumped by some ace theremin playing on Portal theme song Still Alive, and downloaded a new unofficial theme for the PlayStation 3 featuring gorgeous HD paintings of cult Genesis shooter Gunstar Heroes.

We then got more musical and listened to an album composed on DS synth Korg DS-10, as well as a one-man gadget orchestra featuring two DSs, an iPod Touch, an iPhone and a Kaossilator, and watched LittleBigPlanet creator Alex Evans go back in time to its early prototype days from a recent Wired store event.

Finally, we took a look behind the design of indie adventure Aquaria, tried to decipher the code behind Subversion, an as yet un-detailed game that hopes to generatively model everything from entire cities down to a pen lying on each office desk, saw one man's new wrap-around Patapon tattoo and a beautiful motion graphics piece on the history of games, and timed how long it would take for an autonomous Katamari to clean your living quarters, Roomba style.

Joshua Bearman wrote about the 2009 Nibbler Championship at the LA Weekly Blog. He says:

Why is this so awesome? Nibbler, as I mentioned in a brief aside in my Harper's piece on Billy Mitchell, was an arcade game made by the jukebox company Rock-Ola in the early 1980s. Nibbler is mostly forgotten other than its historical appeal as the sole arcade machine whose counter had enough digits to display 999,999,999 and therefore turn over at 000,000,000, or one billion points.

The game itself sucked -— “playing the thing is joyless,” says Dwayne Richard, the number two Nibbler contender of all time—but as the highest of all potential scores, the “billion on Nibbler” was a universal goal in the early 80s. Many tried and failed. Eventually, on January 15, 1984, Tim McVey from Oskaloosa came to Walter’s arcade and finally reached a billion after playing forty-four hours—except that instead of turning over to zeros, the counter kept going. Tim gave up at 1,000,042,270 when he realized the true milestone was ten billion points, another order of magnitude away, and sadly, well out of reach for him and all humanity. (Rock-Ola gave Tim a Nibbler machine, which he promptly traded to Walter Day's rival arcade down the street -- for $200! In tokens!)

Tim is back, playing against Dwayne Richard. I put up a fairly detailed post about, talking about how Nibbler represents how obsessive classic game competition is, for the players, just another facet of human achievement. Like climbing Everest. Or enumerating Pi. And to that end, I posted the first opening to my Harper's piece, which fell by the way side for editing reasons. But it tells the story of Robert Mruczek's marathon session on Star Wars at Fascination Arcade in New York in 1984, and sets the stage for the idea of this whole pursuit as part of the epic story of man versus machine, but more importantly, man versus self.

I really enjoyed this interview with 97-year-old Chikabo Kumada, a botanical artist in Japan. His philosophy about life is every bit as lovely as his paintings. Here’s a snip:

Mr. Kumada, when did you start drawing illustrations of plants and insects?

I started to do it for work when I was twenty-six. I quit the graphic design company I’d been working at and switched careers without talking to my wife about it first. At that time, all the books had been burned in the war, and bunches of shoddy picture books had started coming in from the Kansai area and I thought, “This won’t do! I’ve got to draw some good picture books.” I love children. That’s why I started doing it. That was where my years of impoverishment began. (laughs)

Sadly, the PingMagMAKE site where the interview was posted seems to have gone on an extended hiatus. I was sorry to read this, as I've enjoyed perusing their articles.

--Shawn

97 Year Old Botanical Art Maestro

(Shawn Connally and Bruce Stewart are guest bloggers)

Jerry Beck of Cartoon Brew says:

I received several old issues of Cracked magazine over the holidays and noticed this article predicting life in the 21st Century had become surprisingly accurate.

"Today's Swinger is Tomorrow's Square," illustrated by John Severin, appeared in the 1974 annual Super Cracked (It was most likely a reprint from a 1970 issue). In it, the writer predicts that young people will embrace the "skinhead" look, home computers ("Electronic Home Teacher") and even the ipod: as "electronic brain stimulators" and a "musical computers" that young people are hooked on.

I've attached one image from it... but check the whole piece at Cartoon Brew.